Contents: and tPart 1. Tennessee Williams, 1911-1983. Myth as a basis of dramatic structure in Orpheus descending Nancy Baker Traubitz ; The composition of The glass menagerie : an argument for complexity Brian Parker ; Realism and theatricalism in A streetcar named Desire Mary Ann Corrigan ; The grotesque children of The rose tattoo Leland Starnes –pt. 2. Arthur Miller, 1915-[2005]. All my sons and the larger context Barry Gross ; The fall and after : Arthur Miller’s confession C.W.E. Bigsby ; Arthur Miller’s The crucible : background and sources Robert A. Martin ; Arthur Miller’s Incident at Vichy : a Sartrean interpretation Lawrence D. Lowenthal –Pt. 3. Edward Albee, 1928- . Tragic vision in The zoo story Robert B. Bennett ; Games people play in Who’s afraid of Virginia Woolf? Joy Flasch ; Curiouser and curiouser : a study of Edward Albee’s Tiny Alice C.W.E. Bigsby ; Death as a mirror of life : Edward Albee’s All over Robbie Odom Moses ; Albee’s Seascape : an adult fairy tale Lucina P. Gabbard –pt. 4. Sam Shepard, 1943- . Defusion of menace in the plays of Sam Shepard Charles R. Bachman ; The tooth of crime : Sam Shepard’s way with music Bruce W. Powe ; Mythic levels in Shepard’s True West Tucker Orbison ; Sam Shepard’s Buried child : the ironic use of folklore Thomas Nash.

Essays on Modern American Drama PDF

The list of books you might like