Comparing the Kantian sublime and Nietzschean Dionysian, Erman Kaplama introduces two new principles to philosophy of art: transition and motion. Drawing on the Heraclitean logos and phusis, he explores the notion of transition (Übergang) in Kant's Opus Postumum and revises the idea of nature as the principle of motion (phus.;COSMOLOGICAL AESTHETICS THROUGH THE KANTIAN SUBLIME AND NIETZSCHEAN DIONYSIAN; Contents; Acknowledgments; Introduction; Chapter One: On "Transition" as one of the Founding Principles of Cosmological Aesthetics and its Applications in the Kantian Sublime and Nietzschean Dionysian; Prelude: The Heraclitean Logos and the Principle of Transition; On the Principle of Transition as the Foundation of Cosmological Aesthetics with Reference to Opus Postumum; On the Human Faculty of Sense-Intuition (Anschauung) through which the Transition Takes Place.

Cosmological Aesthetics through the Kantian Sublime and Nietzschean Dionysian PDF

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